Welcome back to “House of Cards,†the Recap. Today, Ashley Parker and David Carr take on episode two and tease apart the collaborations between the various estates in Washington. Abundant spoilers so proceed at your own viewing peril. If you missed the first installment, you can read it here. More to come in the next few days and in the meantime, please consider weighing in with a comment below.
Episode Two
Synopsis: With the help of Zoe Barnes, Frank Underwood plants a story that will prove the undoing of Michael Kern, the president’s pick for secretary of state. Mr. Underwood also dispatches with the original author of the much-lauded education bill and begins rewriting it himself alongside a team of young aides.
Parker: This was the episode where we got to see the president’s original nominee for secretaryof state, Michael Kern, spiral downward into national news chum. The catalyst An original specious story by none other than Zoe Barnes, of course, loosely tying Mr. Kern to an anti-Israel editorial that ran in the college paper he edited. First, the image of Mr. Kerns trying to laugh off the charge on the Sunday shows goes viral and inflames supporters of Israel (“We do not consider the issue of Israel and Palestine a laughing matter,†says the president of the Anti-Defamation League), Mr. Kern’s subsequent stutter-stepping angers the Arab community, and by the end of the episode, he’s withdrawn his nomination.
Welcome to a Washington news cycle.
For all Ms. Barnes’s talk of going “online,†the “House of Cards†news cycle was driven in the traditional way, by front page stories in the morning paper, and the news shows on Sunday. In reality, Tweets and blogs and chattering pundits would have also played a leading role.
But it was interesting to watch this episode ag! ainst the backdrop of the Chuck Hagel confirmation process that’s unfolding now. Mr. Hagel’s secretary of defense nomination began in a fireball, with the former Republican senator having to apologize for past comments he’d made about gays and Israel. Then Senator Ted Cruz, Republican of Texas, raised questions about honorariums Mr. Hagel may or may not have received from sketchy sources (“I’m saying, it’s a question worth asking,†Mr. Underwood tells Ms. Barnes on the show) and then the whole nomination was sidetracked by a completely false charge that Mr. Hagel had taken money from a group called “Friends of Hamas.†(No such group even exists).
But David, what did you make of this “House of Cards†news cycle, which really seems to get away from its characters â€" the White House, the nominee â€" and suddenly, no matter what they try, just can’t be reined back in
Carr: I was struck by the same thing. Given the habits of the controlling habits of this curent (real-life) administration, that the media tail rarely wags the dog. But sometimes, given the overheated news cycle, custody of a story goes up for grabs. The series does a great job of showing the echo chamber as it builds to a roar, drowning out any actual debate.
I love the scene where Mr. Underwood watches the nominee nervously laugh at the wrong moment and, realizing his work is done, simply clicks off the television and moves on to the next delicious morsel.
There is something operatic and over-the-top about Mr. Underwood that both attracts and repels. For example, he deadpans to the camera: “You know what I like about people They stack so well,†Who says that No one, but it is still fun to watch. In the same way, the surreptitious meetings between Zoe Barnes and Frank Underwood against spooky federal backdrops and subway stops are hilarious. What congressman retails his own leaks to journalists Isn’t that what staffers are for Still, it makes for good television and puts ! the two s! trivers â€" one a congressman in search of payback and the other a journalist on the make â€" in the same frame.
The show continues to get the newsroom stuff pretty much right on the nose. Constance Zimmer is near perfect playing the experienced. world-weary senior reporter Janine Skorsky. I recognize her. She is a good reporter and a serious person in a changing world, trying to maintain her footing and her standards. First she ignores Zoe Barnes and her greasy approach to the craft, then she attempts to push back when it is clear Ms. Barnes may be a threat. “You were a metro scrub and now look at you,†she says, half in wonder and half in disgust.
In the same way, watching Ms. Barnes steady herself for her first remote cable news hit is very good meta-television. Everything she wants, everything she hopes to be, everything she is striving for, is on the other side of that lens. When the camera lights up - three, two, one â€" so does she. Zoe Barnes, the byline, has arrived.
Prker: In the last decade, television and print journalism have become so inextricably bound that it’s hard to imagine one without the other. There was a time â€" or so I’m told â€" when print journalists were simply print journalists: they reported, they wrote, and they left the on-air prognosticating to those folks whose silky hair and blessed bone structure seemed destined for television gigs.
Now, all reporters are expected to report, write, blog, Tweet, Instagram, shoot video, do radio hits and appear on television. Often, it feels like, all at once. But the reach of television, as Ms. Barnes seems to intuit, is still stunning. Write a lead, A1 story that drives the conversation, and you may get a “good job†from your editor and your mom; appear on a midday cable show for three minutes, and old high school classmates will mysteriously materialize in your inbox, to say how impressed they were to look up and catch you on their screen. (What, you almost want to ask the former ! star socc! er player, were you doing watching CNN at 1:43 p.m. on a Tuesday)
But just as Mr. Underwood watches Ms. Barnes deliver her scoop live on-air, so do real-life aides, staffers and politicians watch reporters say their piece on cable news. And that television-elevated profile, in part, can be what makes sources more likely to talk to you, the reporter, in the future.
The Mitt Romney campaign was notoriously tight-lipped and disciplined. Some senior staffers had an ability to go days without ever responding to press e-mails and phone calls. But my press corps colleagues, who also did cable hits from time to time, said the quickest way to get a sure-fire response from Team Romney was to shoot them an e-mail that read, “I’m going on MSNBC in 10 minutes, and I need to know …†Only then did the floodgates briefly open.